Acts.12

The seventh movement from Stopford's Missa Deus Nobiscum, the Benedictus is reflective and "blessed," for he who comes in the name of the Lord is God with us.

Haydn's eighth setting of the ordinary of the Mass was composed in 1782 for performance in Mariazell, Austria. The brief opening portion of the Gloria has been selected for this anthem, featuring Haydn's

The traditional Latin "eternal light" text is brought to life in this a cappella work. With plenty of room for rubato and dynamic expression, this piece employs a variety of choral textures with an approach

Normand Gouin has set familiar Gregorian chant Ordinary mass movements, crafting a timeless Mass scored for assembly, SATB voices, and organ, with optional chamber orchestra. The choral parts alternately

Joyful and exuberant in nature, this edition begins with a repeated refrain in Latin, with the rest of the setting in English. While the enjoyable lilt of the tune continues throughout, the changes in